![]() ![]() Your piano part would have no flats and no sharps. ![]() The key signature for the horn would be one sharp, the key of G. Same thing with a horn in "F" - you would write a "G" for the horn (because it sounds a fourth higher than what is written), but you hear a C. If you were scoring the piece, you would enter the clarinet's key signature with two sharps (i.e., the key of "D"), so that the intervals of the scale would correlate with the piano's key signature. You would tell the clarinet to play a "D" (because it sounds a full step below what is written) and you would hear a "C" sound. Your piano part is in the key of "C Major" and you want everybody on the tonic for the first bar. Let's say you just wrote a piano trio, with horn in F, and clarinet in Bb. The name of the transposing instrument is the note that will sound when that instrument reads a "C" on the stave. ![]()
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